"Shitting With The Shaw"
— в исполнении The Men
«Shitting With The Shaw» — песня в исполнении вьетнамский, выпущенная 19 марш 2022 на официальном канале звукозаписывающей компании — «The Men». Откройте для себя эксклюзивную информацию о "Shitting With The Shaw". Найдите текст песни Shitting With The Shaw, переводы и факты о песнях. Доходы и чистая стоимость накапливаются за счет спонсорства и других источников в соответствии с информацией, найденной в Интернете. Сколько раз песня "Shitting With The Shaw" появлялась в составленных музыкальных чартах? «Shitting With The Shaw» — это известное музыкальное видео, которое занимало места в популярных топ-чартах, таких как «100 лучших Вьетнам песен», «40 лучших вьетнамский песен» и т. д.
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"Shitting With The Shaw" Факты
"Shitting With The Shaw" достигло 839 общего количества просмотров и 10 лайков на YouTube.
Песня была отправлена 19/03/2022 и провела в чартах 1 недель.
Оригинальное название видеоклипа — «THE MEN - SHITTING WITH THE SHAW».
«Shitting With The Shaw» был опубликован на Youtube по адресу 18/03/2022 18:07:36.
"Shitting With The Shaw" Лирика, композиторы, лейбл звукозаписи
From 'Leave Home'
The Men yes, "The", are a four-piece post-punk outfit from Brooklyn,
;Their catalog which began in 2008 with a hand-dubbed self-released demo cassette has grown in 2011 to include two more LP's- We Are the Men and Immaculada-two more tapes, and a 7". Having three songwriters in the band allows them to pull from innumerable post-punk sources, referencing drone, metal, shoegaze, and even Suicide lyrics on Leave
;They have breathed new life into the genre of hardcore and created a seminal album that is truly for punks of all ages.
The Men’s hugely influential album Leave Home came out during an exciting time in New York
;DIY lofts and shitty bars littered downtown Manhattan and North
;The Acheron had just opened its
;Kill Your Idols had broken
;Toxic State Records was just getting started with Crazy Spirit, Dawn of Humans, Hank Wood, and Perdition EP’
;The city was alive with punk and noise and
;And right at that time, The Men were the show to be
;Every gig was dripping with
;Hallways and sidewalks were packed between
;Chaos reigned in the pit.
The Men hit like a bag of hard cement, a hardcore band with a familiar sound but with an aura of absolute chaos and intensity, like everything was on the brink of going off the rails at every moment of their set, a downhill freight train with no
;During these shows one’s focus could shoot back and forth between the intimidatingly angry-eyed, shaved-headed Chris Hansell (who went on to front Warthog) and the long-haired hippie punks Mark Perro, Nick Chiericozzi, and Rich Samis, that made up the surrounding
;Just one of the many juxtapositions the band embraced.
If The Men were a chapter in Michael Azzerad’s Our Band Could Be Your Life, the early EP’s and cassettes would obviously be Minor Threat and Black Flag, while Leave Home would likely be Sonic
;It was just before they made the full jump into each record being a smorgasbord of underground genres, from dream pop to folk; before they had tracks called “Country Song,” for
;This was a preview of what was to
;Leave Home was a pivot from pure hardcore punk, as the band got lost in the groove in a way one couldn’t on a straight up punk
;That groove was strong on “If You Leave…,” “(),” and “Bataille,” while they spaced out on “Shittin’ With The Shah” and stayed as fierce as ever on “LADOCH.” And of course, Leave Home had a re-recording of their hardest track to date, “Think,” making it clear that they were still the moshers we all had come to know and
;If The Men raised their flag as an important New York punk band with Immaculada, they started waving it in the freakiest way with Leave Home.
There is no doubt that Leave Home was one of the most influential records of the last
;You can hear their mark everywhere from Ty Segall and Thee Oh Sees to Milk Music and Hank
;Few bands have traversed as many genres as The Men and even fewer have done it so
;It is a testament to the band’s undying authenticity and adventurism that the record sounds as timeless and urgent now as it did when it blew the doors of New York punk off its hinges ten years ago, leaving a giant hole for bands of all kinds to come racing through.